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Assembling a micro-budget digital feature: screenplays, patterns & practices

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posted on 28.03.2022, 12:03 authored by Alexander Munt
In the mid 1990s the low-budget eature film model was 'digitised'. The affordability of the consumer grade digital video (DV) format together with the early success of the Danish Dogme films spurred a wave of digital filmmaking. In 2009, whilst the technology has kept pace with uptake of the High Definition (HD) format, the models at hand for the digital feature remain in short supply. Specifically, this thesis targets the 'micro-budget digital feature' as one emerging area of interest. In this context, it investigates a series of screenplay models, cinematic patterns and film practices. The thesis has two components. Initially, it proceeds with a series of case studies taken from Australian digital cinema, international art cinema (past and present) and early American independent cinema. Five screenplay models are presented: the 'Open Screenplay' (Abbas Kiarostami); the 'Scriptment' (Kriv Stenders); the 'Trame' (Jean-Luc Godard); the 'Cinematic Diary' (Gus Van Sant) and the 'Set-List' (Michael Winterbottom). It negotiates a matrix of concepts that surround 'alternative' screenwriting and 'scripting' for the digital feature film. A prime focus is on film form and cinematic patterns; screen aesthetics, mise-en-scene, montage, movement, music and sound design. Questions of micro-budget adaptation, voiceover narration and performance are also discussed. The second component of this thesis. The LBF Assembly, aligns with models of practice-led research in screen media arts. It is a screen media assembly that combines a hybrid screenplay with a selection of produced scenes. The LBF Assembly explores five key patterns from the case study research; voiceover narration; travelling shots; montage; spatial zones and pop-songs. It forms an experiment in small-scale, digital filmmaking practice that exploits the HD digital format. The interlinked parts of this research aim to contribute to an expanded notion of the screenplay in the digital age, of interest to screen theorists, screenwriters, filmmakers and industry bodies.

History

Table of Contents

Introduction -- Part One: Case Studies -- 1. Open screenplay -- 2. Scriptment -- 3. Trame -- 4. Set-list -- 5. Cinematic diary -- Part Two: The LBF Assembly -- 6. Disassembly/Assembly -- Conclusion.

Notes

Theoretical thesis. Bibliography: pages 172-173 "This thesis is presented for the degree of Doctor of Philosophy in Media & Communication. Faculty of Arts, Department of Media, Music and Cultural Studies, Macquarie University, Sydney"

Awarding Institution

Macquarie University

Degree Type

Thesis PhD

Degree

PhD, Macquarie University, Faculty of Arts, Department of Media, Music and Cultural Studies

Department, Centre or School

Department of Music, Media, Culture and Communication Studies

Year of Award

2009

Principal Supervisor

Kathryn Millard

Additional Supervisor 1

Sherman Young

Rights

Copyright disclaimer: http://mq.edu.au/library/copyright Copyright Alexander Munt 2009. This thesis was digitised for the purposes of Document Delivery. Macquarie University ResearchOnline attempted to locate the author but where this has not been possible; we are making available, open access, the thesis which may be used for the purposes of private research and study. If you have any enquiries or issues regarding this work being made available please contact Macquarie University ResearchOnline - researchonline@mq.edu.au.

Language

English

Jurisdiction

Australia

Extent

1 online resource (x, 179 pages) illustrations (some colour)

Former Identifiers

mq:62675 http://hdl.handle.net/1959.14/1203906