This research project investigates the creative implementations of aspect ratio in contemporary films. Specifically, it examines aspect ratio’s creative role in film narrative and aesthetics. Aspect ratio has traditionally been viewed as the standardised proportions of the cinematic frame and is not expected to contribute to the content of the film itself. However, with the rise of digital technology, the aspect ratio is no longer standardised but has been given the opportunity to contribute in a creative role.
The research project is implemented using two forms: a written exegesis and a short film. The written thesis focuses on three contemporary films and their creative use of the aspect ratio. The short film places the aspect ratio into creative use to demonstrate how it can be used to tell a story. With these two approaches, the project aims to understand the creative role of aspect ratio from a creative filmmaking standpoint.
History
Table of Contents
Introduction -- Literature -- Methodology -- The perfect square : intimacy in Mommy -- Time capsule : the academy ratio in The Grand Budapest Hotel -- Splitting the split-screen : kinetic action in The man from U.N.C.L.E. -- Conclusion -- References.
Notes
Theoretical thesis.
Bibliography: pages 537-41
Awarding Institution
Macquarie University
Degree Type
Thesis MRes
Degree
MRes, Macquarie University, Faculty of Arts, Department of Media, Music, Communication and Cultural Studies
Department, Centre or School
Department of Media, Music, Communication and Cultural Studies
Year of Award
2017
Principal Supervisor
Ilona Hongisto
Rights
Copyright Perry Lam 2017.
Copyright disclaimer: http://mq.edu.au/library/copyright