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Crossed lines: an analysis of the Pan-Grave ceramic tradition in Upper Egypt, Lower Nubia and beyond

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posted on 28.03.2022, 13:46 authored by Aaron M. De Souza
The enigmatic Pan-Grave culture is archaeologically attested in the Nile Valley of Upper Egypt and Lower Nubia from the late Middle Kingdom until the end of the Second Intermediate Period. Despite being known to Egyptology for over a century, uncertainty still surrounds their true identity, their place in Egyptian and Nubian society, their origins, and their eventual fate. This thesis aims to address these and other issues through a dedicated study of the most abundant and accessible of Pan-Grave material remains - their ceramics. The analysis is divided into three parts: Part One identifies the issues that are central to the thesis, critically evaluates existing literature, introduces the datasets being analysed, and lays out the aims and methodology of the analysis. Part Two analyses pottery from confirmed Pan-Grave sites across Upper Egypt and Lower Nubia to establish the key characteristics that define the Pan-Grave ceramic tradition. The morphological aspects investigated include vessel form, fabric, ware and surface treatment,and decoration. Part Three contextualises the Pan-Grave ceramic tradition based on the defining criteria identified in Part Two. Pottery from sites in Upper Nubia, the Eastern Desert, and the Western Desert oases, and from Egyptian cultural contexts will be brought into the analysis to ensure the fullest possible coverage of the Pan-Grave ceramic tradition. An analysis of pottery distribution aims to identify any regional variation and chronological developments in Pan-Grave pottery. Part Three includes a cladistic analysis to identify any evolutionary developments in Pan-Grave pottery decoration. Three main outcomes are reached: First, it is shown that a relative chronological sequence can be constructed using certain aspects of the Pan-Grave ceramic tradition in relation to dateable Egyptian artefacts. Second, that this relative chronological sequence can assist in developing and re-evaluating theories relating to the origins and fate of the Pan-Grave people. Finally,that the identity of the Pan-Grave culture and its relationships with other contemporary cultures should be reconsidered in light of new evidence.

History

Table of Contents

Chapter 1. Introduction, aims and approach -- Chapter 2. Review of existing scholarship -- Chapter 3. The Ceramic data -- Chapter 4. Vessel form -- Chapter 5. Fabric -- Chapter 6. Surface treatment and ware -- Chapter 7. Decoration -- Chapter 8. The Pan-Grave culture beyond the second cataract and Nile Valley -- Chapter 9. Pan-Grave in Egyptian cultural contexts -- Chapter 10. Distribution of Pan-Grave vessel form and ware -- Chapter 11. Distribution analysis of Decorative motifs -- Chapter. 12 A New understanding of the Pan-Grave culture -- Bibliography -- Plates and Appendices.

Notes

Bibliography: pages 265-285 Theoretical thesis.

Awarding Institution

Macquarie University

Degree Type

Thesis PhD

Degree

PhD, Macquarie University, Faculty of Arts , Department of Ancient History

Department, Centre or School

Department of Ancient History

Year of Award

2016

Principal Supervisor

Yann Tristant

Rights

Copyright Aaron M. de Souza 2016 Copyright disclaimer: http://mq.edu.au/library/copyright

Language

English

Extent

1 online resource (350 pages) illustrations, maps, plates (some colour)

Former Identifiers

mq:68945 http://hdl.handle.net/1959.14/1249043