This thesis examines patterns of (post) transitional developments in Polish cinema between 1989 and 2004. It proposes a three-stage approach to the analysis of transitional continuities in films about the mythical Polish past, The Polish People's Republic (PRL), the contemporary reality and contemporary Polish comedies.
Table of Contents
Preamble or redesigning Poland: 1989-2004 -- Introducing Polish cinema -- Of (post) transitional Polishness and film -- Of the Polish film industry, culture and criticism 1989-2004: a story in three acts -- Of nostalgia and arcadias in heritage films -- Of the People's Republic and its memory -- Of the transitional ethos -- Of (post) transitional comic relief -- Conclusion.Notes
Bibliography: leaves 391-427Awarding Institution
Macquarie UniversityDegree Type
Thesis PhDDegree
Thesis (PhD), Macquarie University. Division of Society, Culture, Media & Philosophy, Department of MediaDepartment, Centre or School
Department of MediaYear of Award
2005Principal Supervisor
Noel KingAdditional Supervisor 1
Catherine SimpsonRights
Copyright disclaimer: http://www.copyright.mq.edu.au
Copyright Renata Murawska 2005.Language
EnglishJurisdiction
PolandExtent
iv, 427 leavesFormer Identifiers
mq:151
http://hdl.handle.net/1959.14/515
1081271
