This PhD thesis seeks to isolate and exploit the unique literary effects that can beachieved with the sustained second person narrative voice in fiction. Secondperson, particularly in its sustained form, is a fascinating but rarely used modeamong novelists, and has been given comparatively little attention by theacademy. The project involved a thorough review of current research, a reading ofevery sustained second person novel that could be identified, and a testing of whatwas learned by experimentation, ie, by the writing of original second personfiction.
Table of Contents
Chapter one. Creative component: "The flight" -- Chapter two. Introduction to sustained second person narrative -- Chapter three. Creative practice in practice : from Your story to "The flight" -- Chapter four. Literature review : second person narrative -- Chapter five. Literature review : sustained second person novels -- Chapter six. On Peter Kocan's The treatment and The cure duology -- Chapter seven. On Eddie Campbell's Alec : how to be an artist -- Chapter eight. Conclusion : the special qualities of the second person.Notes
Bibliography: pages 295-314
Theoretical thesis.Awarding Institution
Macquarie UniversityDegree Type
Thesis PhDDegree
PhD, Macquarie University, Faculty of Arts, Department of Media, Music, Communication and Cultural StudiesDepartment, Centre or School
Department of Media, Music, Communication and Cultural StudiesYear of Award
2014Principal Supervisor
Willa McDonaldRights
Copyright Anthony Llewellyn Davis 2014.
Copyright disclaimer: http://mq.edu.au/library/copyrightLanguage
EnglishExtent
1 online resource (314 pages) illustrationsFormer Identifiers
mq:69691
http://hdl.handle.net/1959.14/1256796